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Orientation 2

Naikan In Four Movements

This four-part Naikan series grew out of a course I offered at Baltimore Dharma Group in Spring 2025. While Naikan is often framed as a tool for self-reflection, I came to see it as something more relational: not a system of correction, but a practice of returning—again and again—to what holds us, what flows through us, what we leave behind, and what we remain with.

Orientation 3

Threshold to Threadwork

Introduction: There are two doors into this work. The one below meets the moment. It is written in accessible language—for those seeking clarity about autistic experience, and especially about how it differs in rhythm, in structure, and in the invisible labor it asks of those who must translate themselves to be understood. But this isn’t the only way in. There is another door—quieter, less translated, more interior. If you're looking not just for insight, but for shape—if you’ve ever sensed that what goes unspoken is sometimes the most coherent thing there is—you may find yourself at home there.

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The Autistic Mode: A Way Of Thinking

We all have moments of deep concentration—those times when we are so absorbed in something that the world recedes. A musician practicing alone, refining a passage with exquisite focus. A philosopher turning an argument over in their mind, testing its weight from every angle. A scientist working through the layers of an equation, adjusting variables, refining the logic until it holds. In these moments, the noise of the world fades, and what remains is a kind of clarity, a steady presence of thought moving toward resolution.

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Musings from the Meta-Verse: Tip of the Iceberg Cosmologies

Before you begin: please take a moment, settle in, enjoy the image above—of me holding my baby daughter as a first-time dad, tune into the frequency of restful wonder. Now allow your mind to wander outward from the edges of that image: to the room, to the street outside, to the vast sky beyond the vast sky. Further—past the solar system, past the galaxy’s edge, past everything known—to the edge of the cosmos. And then…

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Woven

I never stopped making art. I just didn’t always call it that. What I made with you, my loves — in those days we shared — was the most embodied form of relational creation. Art was us — there was no interruption. Something Luu Li and and I talked about yesterday landed deeply. She said, “Wow Papa, 54 years! I'm so glad you’re starting to do art again.” And I told her — honestly — it’s never left me. But after that, I found myself thinking: when I was homeschooling Luu Li and CT, I wasn’t just not doing art — I was expressing my creativity through my life with them.

Are Ya Wid Me?

Today's Cát Tiên's 7-month anniversary!

She's making the most of her time with her Grammy, who taught her to raise her arms in celebration on cue. Then Cat turned around and cued us to raise our arms!

View in vimeo
Now, I do remember happiness pre-Cat, but nothing as intense and deep as the way she makes me happy every day. She's a natural at enrolling everyone she meets in her joy.

9:57 AM, Friday, 4/10/09
Motionbox is temporarily out. I'll post an update when it comes back on-line. Or, you'll see a video image above.

10:06 AM, Friday, 4/10/09
That was quick. It's back.

Comments

  1. Oh, this made me laugh so much! She's so cute (and you all did a great job following her lead).

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  2. Jennifer SartoriusApril 14, 2009 11:38 AM

    So cute! Thks for sharing. Hope to see you guys soon - not for lack of trying I know!

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  3. She's absolutely a bundle of joy. Every time I need a break, I open and watch this video and it always makes me happy.
    Chi Le

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